After leaving my house in Vancouver at 5AM, flying all day to finally check into our hotel in Boston at 6PM, Mark and I were exhausted. Time to check in, take a nap and then find a good meal. Not only did we arrive at a super swank boutique hotel called The Liberty Hotel, but [...]

If I was asked who Stefan Sagmeister was a week ago, I could’ve given a handful of knee-jerk descriptions; he’s a designer, he’s provocative, he’s influential. I could’ve said many things to describe the icon he has become, but I would have failed to mention that he’s human.
“Everybody who is honest is interesting.”
On Friday afternoon, [...]

The drive to improve and succeed has increasingly lead to professionals in all trades to specify down to minute processes in projects. A photoshop artist will focus entirely on fashion retouching, or an interactive designer will draw boxes and arrows all day long. Along with this professional focus, influences and inspiration can also become focused. [...]

As featured on Design Taxi
Macro or Micro?
The new Vancouver International Film Centre seems like the perfect venue for something called VIDFEST, a five day “festival” put on by New Media BC and meant to connect and promote the digital media sector. That said, the location is much smaller than the Granville Island facilities used [...]

London was buzzing for the last two weeks of September. Everywhere you looked, on every street corner there seemed to be something about design. The city was filled with museum exhibits, public art and storefronts with interactive installations. I took in what I could in a week before heading to the south of France for [...]

During the iDesign conference in London I heard Bill Thompson talk about design’s role in the world of technology and he mentioned the locking down of Apple’s newest portable products. I did some reading and found quite a lot under the surface. I was very close to buying an iPod Touch but now I’m reconsidering.
Apple [...]

In the UK, where I’ve been for the past couple of weeks, pay rates for design freelancers are up in many cases, particularly when it comes to digital disciplines, according to DesignWeek’s second annual survey.
Overall, pay increases have been extremely healthy over the last twelve months, with increases of 13% cited, and a further 9% [...]

I was somewhere over Northern California headed south when the fear started to take hold. I remember wondering about what lay ahead thinking something to the effect of ‘what am I doing here?’ As a graphic designer only peripherally interested in animation, 3D rendering, motion capture, or gaming, I was afraid that I might not [...]

This blog was started years ago in part as a repository for our inspirations, yet I think we often drift away from that purpose a bit, so I want to share something that inspired me this weekend: discovering new music.
Obviously music plays a big part in most of our lives. It’s always stated as a [...]

June 4th marked the launch of the new London 2012 Olympic logo and it didn’t take long for the controversy to begin. I’d already fielded a number calls and emails before lunch from friends, designers and even the media. My inbox is filled with emails about the subject from various GDC designers across the country—some [...]

Mark just asked me to take ten minutes and jot down my opinions about what a student (or anyone I guess) should do/include/avoid when putting together and presenting a portfolio. A couple years ago I actually did a post on the topic on this blog.

Since then I have been on the receiving end of hundreds [...]

Well, we did it, again. The Industrial Brand/Legends Memorabilia “PicniCANtics” took top honours in this year’s Canstruction Vancouver for the third, THIRD, year in a row (2005 Award, 2006 Award). For those not in the know, Canstruction is an international design/build competition that benefits local food banks, brings together teams of architects, engineers, graphic artists [...]

The longer I stay in this industry, the more I realize the difference between producing graphically appealing (pretty) solutions and creating strategic communication designs that produce results.
Though I use my training in Graphic Design daily and often find much of what I do professionally to be based on visual language and aesthetics, it is only [...]

Some time last year I began considering about the similarities between branding loyalty and belonging to a church after an interesting conversation with Rick Poyner, the design critic and founder of Eye Magazine, who said
“Religion is now just another lifestyle option fighting for survival with all the other brands in the chaos of the marketplace.”
[...]

I feel a rather humbled and a little bummed out since attending Rimmerfest at SFU downtown on November 25. It was both an inspiration and an honour to be among Canada’s Graphic Design elite to celebrate and honour one of Canada’s living national treasures, the printer, publisher, and one of the few remaining typography and [...]

June 4th marked the launch of the new London 2012 Olympic logo and it didn’t take long for the controversy to begin. I’d already fielded a number calls and emails before lunch from friends, designers and even the media. My inbox is filled with emails about the subject from various GDC designers across the country—some even wondering if the whole thing isn’t a hoax. Most hate the logo, claiming it’s too silly, trendy and irrelevant. Others argue that it’s edgy and fresh - sort of a new friendly punk-graffiti take on London’s identity—and will appeal to a more youthful audience. I say we’ll need some time to see how this unusual logo is actually used before history judges it fairly. I’ll certainly be watching with a keen designer’s eye.

I’ll admit that like many of my colleagues, my first impression of the London 2012 logo wasn’t particularly positive. I think I understand what the designers were going for, but the combination of ultra simplified forms, typography and psychedelic colour choices seem less like a “design for the Internet generation” and more of a graphic heavily influenced by recent graphic design trends such as eighties fashion. And if the logo is supposed to represent a stylized character as some have suggested, it’s a bit too obscure for most.

Hating this logo seems a very popular bandwagon to jump onto—some even claiming it could cause epileptic seizures, but I tried to reserve judgment until after doing some reading and watching the videos on their website and after some consideration of how this brand could be applied I started to see some potential in it. Sure, the graphic looks like an eighties videogame icon, but as some have observed, it’s certainly not boring, is very flexible as a solution and contains some interesting dynamism, portraying a brave visual expression of the unique attitude of a vibrant new London. It’s a bold departure from what one would expect of an Olympic logo: a reflection of that city’s cultural heritage or most well-known landmarks combined with the primary colour pallet of the official Olympic logo. But is it an appropriate logo for a city such as London and an event as serious as the Olympics?

I’m uncertain what the contents of the Creative Brief included in terms of strategy, audience and messaging, but I have heard that the design firm of Wolff Olins were hired after a careful selection process—not an open speculative contest—and paid handsomely for their expertise, so one has to assume they were given clear direction from the planning committee. I’m sure many would considered this logo a success if the primary goal was to create an abstract expression of the diversity and individuality of Londoners, unlike some Olympic logos that focus too narrowly on visual language representing a fraction of a city’s population. Is it actually better than the controversial Vancouver 2010 logo? I think so actually. It’s certainly not worse. And it may just grow on all the nay-sayers over time.

In our business you’ll never produce a graphic design solution that everyone will universally approve of, but is the London 2012 logo “good design”? Well, that has yet to be seen perhaps. As with anything executed to be immediately fashionable, it’s questionable whether it will stand the test of time or become a classic. It most certainly won’t be universally hailed as brilliant, but I doubt it will be judged as bollocks in due time. Congratulations Wollf Olins for being so brave.

For more information on the new Lodon 2010 brand, check out their main website, though for a more unbiased look at the reaction to the launch, check out BBC coverage and the reaction on the BBC Sport blog.

Posted by Mark Busse on Monday, June 4th, 2007 12:33 pm | Filed under Articles | RSS 2.0 feed | leave a response | trackback |